![]() Billiards parlors were respectable places, catering to the emerging urban middle and upper class. This suggests that billiards may have been prevalent in taverns outside the city limits (Vine and South Streets), as were other forms of sports and entertainments frowned upon by Quakers and, therefore, not found within the city proper.īy the early 1800s billiards had become popular in Philadelphia and most other major cities. The earliest reference that has been found for billiards in Philadelphia is a 1793 notice of sale for the Black Bear Tavern in Southwark (Queen Village), which mentions that an adjoining building contained a large space intended to be used for billiards. George Washington played billiards with the Marquis de Lafayette in 1777. There are references to billiards being played in Virginia as early as 1710 and in New Orleans in 1723. Shakespeare refers to billiards in Antony and Cleopatra (1606-09), suggesting that by that time billiards was sufficiently popular for the reference to be understood by his audiences.īilliards was brought to America by both the English and Spaniards. King Louis XI of France had a billiards table made in 1470. The game is thought to have originated in France or England in the 1400s as an indoor alternative to croquet. The location and date of the origin of billiards are not really known. All the nationally prominent billiards players of the time played in Philadelphia and some lived in the area, including Willie Mosconi (1913-93), who is considered to be the second-best billiards player of all time. By the 1930s there were over 200 billiards parlors in the city. Other national championships were held in the city in the first decades of the twentieth century. There was sufficient interest in billiards in Philadelphia by 1858 for the city to be the location of the first informal American billiards championship. Groff for the Encyclopedia of Greater Philadelphia)īy the mid 1800s, the more-affluent members of Philadelphia society were playing billiards in exclusive men’s clubs while working-class men played billiards in taverns and saloons. ![]() Mosconi began playing at a very young age at his father’s billiards parlor in South Philadelphia. Willie Mosconi, depicted here in a mural on South Street, is considered to be the second-best billiards player of all time and the best straight pool player. Groff for the Encyclopedia of Greater Philadelphia) ![]() This photograph from 2015 shows one segment of the mural in which Mosconi is watching Davis lining up a shot. Created in 2006 by artist John Lewis, the mural depicts Mosconi and Davis, who played against each other in 1940. The image of Mosconi is part of a mural commemorating Edward “Chick” Davis in the 1400 block of South Street. He was the technical advisor for the film The Hustler (1961) with Jackie Gleason and Paul Newman (and said to have made Newman’s trick shots), which increased the popularity of pool in the United States. Under the sponsorship of Brunswick, Mosconi toured the country promoting what he always called pocket billiards. Mosconi holds the all-time documented record for balls continuously pocketed without a miss-526, achieved in an exhibition match in Springfield, Ohio, in 1954. Matches were usually played over several days to scores of several hundred points. Straight-pool matches were played until one player reached a certain number of points, one point being given for each ball pocketed. Between 19 he won fifteen consecutive championships. ![]() Willie Mosconi is considered to be the second-best billiards player of all time and the best straight-pool player. This photograph from 2015 shows one segment of the mural in which Davis is lining up a shot. Created in 2006 by artist John Lewis, the mural depicts Davis and Willie Mosconi, whom he played in 1940. He later owned two other billiards parlors, one on Broad Street and one on South Street.ĭavis is commemorated as a billiards player and businessman by a mural in the 1400 block of South Street. Having experienced discrimination when he toured the country playing billiards, Davis opened a billiards parlor at Broad and Bainbridge Streets that was welcoming to all players regardless of race or gender. Black players had no opportunity to compete in national championships or against the top players of the day. At the time billiards parlors and championships were segregated, as was much of American society. Born in South Philadelphia, Davis learned to play billiards at the Christian Street YMCA, the first black YMCA in Philadelphia. Edward “Chick” Davis (1907-2006) was a prominent African American billiards player in the mid-twentieth century.
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![]() If the tracing worked properly, by clicking on the 'Modeling' tool, you should be able to see the vectors all around the individual parts of the traced image.įinally, to choose the desired raster input level, select all the traced elements and set the fill color through the window Object Properties (Object Properties). Then, select the elements drawn with the 'Pick tool' and use the command and use the Arrange (Arrange)> Separate (Ungroup). The original image remains behind the tracing, so select it and delete it. Make sure your traced shapes are presented in a uniform, flat color. You'll see a lot of tracing options, so do several tests until you find the one that's right for you. No need to do it by hand! You can do this simply by selecting the inserted image and using the command Bitmaps> Bitmap Trace (Bitmap Trace). If you want to insert a non-vector image in your file, you have to trace it in vector. Our making system takes into account only the drawings in vector, ignore all the images inserted in other formats (like.jpg or. You can create texts using fills for raster engravings, lines for vector engravings, or a combination of the two types of incisions. Once you run this command, you will not be able to edit the text, so do this after checking the spelling! To turn the text into curves, just select it and then choose Arrange (Arrange)> Convert to Curves (Convert to Curves) from the top menu. In this way the laser will follow your drawing correctly, even without having the same installed font. Sets the fill color as black with the RGB values of 0, 0, 0:Īll the texts inserted in your drawing must be converted into curves. ![]() ![]() Sets the fill color as gray with the RGB values of 128, 128, 128: The light raster engraving is absolutely superficial, altering the color of the material without going deep. ![]() Sets the fill color to light gray with the RGB values of 230, 230, 230: The incisions do not change according to the thickness of the material (unless otherwise indicated in the sheet). The values of the engraving depth are indicated in the "technical details" tab of each material in the catalog. To obtain a more defined border in an area engraved with a raster pattern, combines the black or gray fill with a contour corresponding to a vector engraving. Make sure you use solid and spot colors and no patterns or textures. You can use any grayscale between the two extremes, but remember that the three RGB values must be equivalent. The scale of the raster engraving goes from the black that corresponds to the most marked incision, up to the very light gray that will make the engraving lighter (or white, which corresponds to the null incision). Engraving in raster mode a thinner line will probably not lead to good results. Generally, raster fills are used for areas with backgrounds, but you can also make a raster incision of lines that have a contour with a thickness greater than 0.3mm. Sets the outline color as RGB red with values 255, 0, 0: Sets the outline color as RGB green with values 0, 255, 0: Sets the outline color as magenta RGB with values 255, 0, 255: In the window Object Properties (Object Properties) set the thickness of the contour by clicking in the 'Thickness' box (Width) and writing '0.01mm', then press enter. All three incisions are drawn very precisely with subtle lines, roughly the same size as the laser beam. There are three different levels of engraving available: light, medium and deep, each with a different intensity and therefore depth. The laser will move along the engraving lines in your drawing. The vector etching process is very similar to the cutting method, but instead of piercing the material, the laser only affects the surface. Sets the color of the outline as blue RGB with values 0, 0, 255: So, in the window Object properties (Object properties) set the thickness of the contour by clicking in the 'Thickness' box (Width) and writing '0.01mm', then press enter: To obtain a cutting line, draw a line or shape. Your file should remember that sheet with the lines drawn. The simplest way to visualize how this will turn into your project is to imagine placing on a sheet of paper the pieces you would like to make, and then draw their outline on the sheet with a pencil. The basic part of your design are the shapes you will cut. If you convert the same lines in red, the laser will engrave the bird on the chosen material, and so on. The color used for the drawn lines determines what the laser will do, whether it is a cut or an engraving.įor example, if you draw a bird with a blue outline, the laser will cut a bird. MASCHINE+ is a fully functional creative audio tool that breaks the mold, bringing together your favorite VSTs in a stand-alone controller that works with or without your computer. Check out the MASCHINE range below and find the perfect fit for your creative process. ![]() However, the NI MASCHINE series offers much more than just controllers for your PC, with MASCHINE+ and MASCHINE MIKRO working independently from your DAW as a fully functional, standalone music production tool. MASCHINE is the latest example of NI’s forward-thinking approach to music production, seamlessly combining responsive hardware and innovative software for a fully integrated experience through your computer and DAW. 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There are parts which are clearly a downgrade though the screen-space ambient occlusion and shadows in general on Switch are very poor. Not every change made in AC3 Remastered was an aesthetically pleasing one and if you didn't like the remaster's revamped lighting, this might be a perk. Whether or not this is a big deal or not might come down to preference. You can't help but notice that the higher resolution textures of the other remastered versions also absent, favouring last-gen quality mapping. Switch by contrast plays without these upgrades, and even the extra tone-mapping and bloom of the auditorium's lights are missing. The other current-gen versions get the more physically-correct materials and lighting interactions, whether that's on faces, clothes or brickwork. In terms of the platform comparisons, stacking up AC3 against the PS4 remaster reveals parity in base resolution, but the differences elsewhere are legion. In common with many Switch games, it's actually better suited for the handheld display, with the smaller screen real estate serving to hide some of the game's blemishes. ![]() Barring a step back in texture filtering quality, and a tweak to the resolution of depth of field, you otherwise get the same game on the go. Switch delivers a native 720p here, a pixel-perfect match for the screen, while retaining all of the visual detail and fidelity of the docked experience. Ultimately, 1080p is a nice plus point, but image quality overall is cut down compared to the other versions.Īlso impressive is the portable play. ![]() Other aspects, like Switch's low-grade ambient occlusion and shadows, introduce shimmer of their own as well. That's not to say it's perfect though: the post anti-aliasing takes away some of the clarity - and it misses dithered elements with lots of sub-pixel detail. ![]() It represents a huge boost over Wii U's native 720p, and brings it up to the level of base PS4 in terms of sheer pixel output. Dynamic resolution can't be fully ruled out, but that's the fixed resolution result I get from every sample. The big surprise is that this game does run at a native 1920x1080 while running docked to a TV. Clearly, cuts have been made on Switch - but where? And to what extent does it impact the overall experience? Equally problematic is the fact that this release is delivered via a 13.6GB install, down from the 45GB on PS4. Assassin's Creed 3 Remastered arrives on Switch after a month's delay, but the question it poses is simple: is this truly a remaster? Based on close comparisons, its visual feature set is more in line with the original last-gen releases - lacking the new rendering features of the PS4, PC and Xbox One versions. ![]() A great feature of this little webcam is easy to reach privacy cover. It is plug-and-play and requires no complicated setup. That means even in noisy environments, the audio remains natural. It also features a pre-built dual digital stereo microphone with auto noise-cancellation. So you can record or live stream videos up to 1080p 3.6mm glass lens offers great autofocus when video recording and crisp pictures. It is powered by the 1080p HD 2-Megapixel CMOS technology. If you’re one of them, we bring you an exceptional budget cam that fulfills all of your video conferencing needs. With so many businesses going virtual these days, not everyone can afford to spend upwards of $100 on a webcam. 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It’s yet another best webcam, speaker, microphone combo for small conference rooms. Logitech meetup focuses on simplicity and performance. That’s why it’s perfect for medium and large-sized conference rooms. It is better than the previous model in all respects. Overall, Meeting Owl Pro is a worthy upgrade of the Meeting Owl. Whether it’s GoToMeeting, Zoom, Webex, Skype, or Google Hangouts, everything works like a charm. What’s more, this unique conference cam is compatible with all of your favorite web-based applications, software, and services. The camera shifts focus on different people and highlight them as they speak. That means everyone in the room will get heard and seen. Housed in a very innovative (owlish?) design, the Meeting Owl Pro offers a 360 degrees 1080p HD view field and audio pickup range of 18 feet (5.5 meters). 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